Jamiroquai and Dune¹
Cecil Elliott, long-time chair of my department and a friend of this project despite having died three years before its beginning, often spoke of his ideal retirement habitat: as the proprietor of a hybrid bar, bookstore, and travel agency. Well, we have little need for travel agencies these days and the on-line site that dare not speak its name has virtually eliminated independent neighborhood bookstores, so if he were alive today, Cecil would be operating one of the world’s oddest drinking establishments. And that would be me on the second stool from the end.
He possessed a peculiar sort of mind, the kind that could satisfy an appetite merely reading a recipe in a cookbook or epicurean magazine. From our conversations, I know that he could also travel without moving, through evocative writing by the likes of Paul Theroux, Bruce Chatwin, or Jan Morris. I recall one of our earliest conversations; a discussion of London — a passion we shared — and an obscure restaurant near the V&A: Daquise, a Polish restaurant with a French name. Just talking about it transported each of us back to that place and to a meal savored a second time. No thanks to British band Jamiroquai or the “Holtzman Effect” of folding space in Frank Herbert’s Dune, Cecil and I both enjoyed the benefits of traveling without moving.
I can visit Agincourt, despite its non-existence, as often and whenever I like: during those 3:00 a.m. epiphanies that punctuate my dreams, or the tedium of an especially pointless meeting. [Dr Bob has warned about packing for the move, however, and calling United Van Lines.] I wrote the death notice and obit for Maud (Mrs B. F.) Adams during one of those impromptu transmigrations. And I could “see” The Obelisk on axis with one of the entries to Asbury Methodist Church as I designed the building and imagined its context. Portions of the city are that vivid.
All of this is overture to a current enterprise: writing about Mesopotamia, that flood-prone neighborhood in Agincourt’s southwest quadrant which seems precisely the kind of place my friend Howard would have known as a boy. Now, if my writing were only half as good as Jan Morris, I could take you with me.
¹ Sounds like a law firm, doesn’t it.