What is it about me and stained glass windows? Among the artifacts in the 2011 exhibit, there will be at least three of them: one from Miss Rose Kavanaugh’s 1908 home near the Darwin School; another, the actual door from Anson Tennant’s architectural office of 1912 in the Wasserman Block; and the third will come from a Kindergarten run by several ladies at the Episcopal church.
More than forty years ago while still an undergraduate at the University of Oklahoma, I browsed the Architecture Library’s copies of The Studio, a British fine and decorative arts periodical that began publication in 1893. It was instrumental in promoting the careers of several designers such as Charles Rennie Mackintosh. One of the many images that remained with me was a design by Margaret Lloyd that would have lent itself to reproduction in stained glass, though it’s likely to be a window of inordinate complexity. I finally managed to acquire a scan of Lloyd’s design for “Punch & Judy,” a traditional bit of British puppet theatre, hoping to find someone who could translate it into glass. Wish me luck.
The kindergarten itself will be easy enough and fit nicely into the story told by Carol and Vince Hatlen of a subsequent Montessori School established about 1950. Together, they’ll allow a fuller telling of early childhood education during those years.
Not incidentally, the window–if it can happen–will be both stunning and evocative.