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Proverbs 11:29

This week I saw something on the web that—almost—made me want to pass it along. It was one of those inspirational quotes, the “feel good” sort that show up as posters on bulletin boards and open-office landscape partitions. The thrust of it was upbeat: limiting the negativity in our lives, surrounding ourselves with love and support, avoiding the drama queens (and kings) because life is short and the dessert course and coffee can’t come any too soon.

If it could only be that tidy. 

I’m writing this with the TV as background. It’s five days before the election and every channel is crabbed with campaign spots that defy logic and challenge credulity. My eyes and ears are assaulted by infomercials that make shouting “Fire!” in a crowded theater tantamount to clearing your throat. In years past, I have withdrawn from the world, posturing as the inoffensive eccentric academic. My public pronouncements have been limited to the obscure, the obtuse, the quaint; I have lived on life’s periphery—and barely there. With time running out, however, there is still enough to change my course.

Yes, I enjoy the company of a handful (meaning ten or fewer) friends. Facebook implies otherwise, but you and I know better. I had an exchange yesterday afternoon with someone who is closer to friend than acquaintance—I thought; a conversation about our candidates for the presidency. And I was shocked at the narrowness of his vision, his centeredness on self, a bottom line drawn just above the total of his tax liabilities. Arguments on nation-building, on social welfare, on “them” and “us” in addition to “me” were lost on him. Or, perhaps, more correctly, they delineated the gap between our views of the world. He, no doubt, did not appreciate what must have seemed my confrontational negativity. Though I will say this: if there is a barrier between us, it is one he has built. It is, I hope, still possible to disagree without being disagreeable.

A favorite author James P. Carse writes about the binary pair theater/drama, and there is certainly much of that afoot these days. In my view, one of our would-be presidents is being a candidate—dramatically—while the other is simply playing the theatrical part and, at that, appears to have flubbed his lines more than once. His script is in constant re-write for an off-Broadway production that may never see the Great White Way. At least I hope so.

I write this as prelude to a piece Howard has in the works: a trial that took place in a Fennimore County court room in the very hot summer of 1925; a trial primed but overshadowed by another courtroom confrontation of ideas in Dayton, Tennessee that same week

Flatearth

 

“A few figs from thistles…”

by Howard A. Tabor

Proverbs 11:29

One hundred years ago tonight a child was born a dozen miles southeast of Agincourt—closer to Nimby, actually, which may account for the ripples that spread from that small event. Cable Gaines began his midwifed life, the second of three boys born to Sarah and Abijah Gaines, on a rural farm of fading fertility. Under other circumstances, we would note Cable’s name for nothing other than it’s curiosity: a misprint for Caleb, never corrected. Public records have a way of institutionalizing accident.

I can’t speak with authority on Cable’s early years. The two-room schoolhouse at Nimby. Church in a Pentacostal congregation at the intersection of two unpaved country roads. The rhythm of plowing, planting, harvest and hibernation until it beging again. A world designed by “Nature and Nature’s God.” Thomas Jefferson’s world—with the significant absence of Jefferson himself.

Events conspired to change that world dramatically. Following her third pregnancy, Sarah Gaines went to an asylum, a victim of hysteria, that 19th century catch-all invented by men to label the women they chose not to understand. The Gaines’s third son died before his first month. The first son was crushed in an agricultural accident. No wonder farm families were large. That rhythm might have gone on, uninterrupted, until Cable’s death. Or until the summer of 1925.

An unexceptional, ordinary globe filled the corner of his seventh-grade classroom. But to young Gaines it was heresy. His world of rectangular fields stretched to the horizon, to the four corners of the Earth, the Pillars of Hercules. How could such a pattern wrap a sphere? It defied common sense—and the Bible. Emboldened by the Scopes trial, Abijah Gaines filed suit against school authorities on his son’s behalf.

A Biblical Earth was flat. Everyone knew that. But our “Creationist” trial drew little attention and only local, at that. Without Clarence Darrow and William Jennings Bryan; without the notorious ACLU; without the carnival depicted in “Inherit the Wind,” Judge Eaton dismissed the suit while our attention was diverted to Tennessee. He’d have no circus here.

The consequences for Cable? Who knows. He inherited the farm (if not the wind) but never married. He never flew in an airplane. He never owned a television. There is no record that he exercised his franchise. He rarely left the county.

In 1964 Cable Gaines died; he was fifty-two. A quilted counterpane barely contoured the wasting body in his deathbed; was it wasted, as well? The quilted rectangles of faded fabric stretched to the bed’s horizon and draped into an abyss where Columbus and Magellan should have plummeted.

This is gonna cost me.

 

A good pair of pants

I’m jumping the gun a little bit—writing about Thanksgiving—but I ran across an envelope of very old Agincourt articles and wanted to share this one with you.

A few figs from thistles…

by Howard A Tabor

Giving Thanks

My sister Catherine and her husband Jim LaFarge were home for the holidays. They brought a generous supply of the maple syrup they manufacture in the woody thickets of rural Vermont. Business is precarious right now, there as everywhere, so I’ll put in a plug for their brand name “Allouette” and hope you find some on store shelves in your neck of the woods. There’s love in those jars.

Thanksgiving dinner was lively. We had eighteen family members, plus friends and strays for a ginormous feast that won’t be repeated soon. Conversation turned, as it inevitably does in a strange and unwieldy family such as ours, to absent guests—all those members of the extended Tennant clan who couldn’t (or wouldn’t) be here: where they are, what they’re doing, how they got there. It is astounding to think how far-flung the family has become; what distant shores have welcomed weary emigrants from this lonely spot in northwestern Iowa. But it also caused me to recollect the diverse and disparate souls who have wound up here in Agincourt during the last hundred and fifty years. Some fairly impressive flotsam, not the least of whom was a modest Hungarian tailor.

At dinner Thursday I happened to be wearing a pair of my dad’s pants. When he died in ’95, mother resisted having a garage sale. She kept most of Warren’s things exactly where he’d left them but allowed me to have the pick of the wardrobe. I chose, among other well-crafted things, the pants I wore at Thanksgiving dinner. Pants he had worn for thirty-five years. Pants that will be part of my own estate sale when that time comes. Pants from the legendary Agincourt tailor Sandor Szolnay. What right did we have to the considerable talents of such a man as Szolnay?

Knize

Hungarians reverse the order of their names, putting the surname first. So it was Szolnay Sandor who arrived here in 1920, a forty-year-old custom tailor from the recently collapsed Hapsburg Empire. He almost immediately became Sollie Sander, a nickname that stuck through a forty-year presence in our community. Szolnay was widowed and had a twelve year-old-daughter Erszebet in tow. They spoke practically no English. Erszebet became a friend of my mother.

The folks at deBijenkorf needed a tailor in their men’s department and had advertised in Chicago and elsewhere, hoping to lure the best, as they did in all things. Sandor Szolnay came with credentials beyond their hopes. He’d been born in Pecs, Hungary, in 1880, at the height of Hapsburg power. At eighteen, Sandor became a tailor’s apprentice in Budapest (technically on the newer Pest side of the Danube) and subsequently moved upstream to the Imperial capital Vienna and the auspicious haberdashery of Knize & Co. Who can say that he didn’t accompany his tutors to the Palace in 1913 and record the metric length of His Imperial Majesty’s inseam and whether the Jewels of Empire hung left or right. [In the 19th century, a man’s most intimate experiences might have been with his tailor.] But that twilight could not last. A world war and cousins in Chicago brought him to America, and deBijenkorf brought him to Iowa. Europe’s loss was Iowa’s gain.

deBijenkorf’s management team knew they had snagged a treasure. At forty, his hair already grey at the temples, Szolnay brought the cosmopolitan to the American hinterlands. His talents would have been wasted on cuffs and collars. They encouraged him to double the men’s department, using his Old World connections to bring us quality that surpassed what even Des Moines and Omaha could offer. But those halcyon days of haberdashery were also not to last. The portent of “Better living through chemostry” in the 1950s must have saddened him, as wool, leather, cotton and silk became nylon, rayon and vinyl. We no longer clother our bodies so much as upholstered them. When Sandor Szolnay reired in 1960, another era had ended. But his pants live on and that may be the finest revenge of all.

Szolnay died in 1968, the same year that my great-uncle Anson Tennant left us wanting more of them both. And Warren Tabor, my dad, was one of six pallbearers—each of them clad in a Szolnay suit—who carried our tailor legend to his grave at St. Ahab’s Cemetery.

There’s love in those pants, just as there is in my sister’s maple syrup.

veni creator spiritus

“A few figs from thistles…”

by Howard A. Tabor

Seven Days in May

After our good friend Hal Holt died in 2008 and we scattered his ashes at Gnostic Grove, I wrote here about the Grove’s eclectic past. Few places in Fennimore county have seen such diverse use; none is so richly infused with the geist of so many zeitsA vein of irony flows beneath the fields of Fennimore County and intensifies in the Grove’s vicinity.

It has been the scene of 19th century religious revival, Crispin Creek standing in for the River Jordan. More glossolalic flames have appeared above the heads of revivalists there than practically anywhere in a hundred mile radius. More sin, washed away by its crystal waters. For decades following the Second Great Awakening, it was a holy place.

Flash forward to the early years of the sexual revolution—Elvis, Rock & Roll, grinding pelvic motion and worse. By the 1940s, the Grove had become Agincourt’s favorite make-out spot: late-night campfires; demon rum, especially during Prohibition; sticky fumblings in its shady nooks and crannies. It has (as I wrote a couple years ago) always struck me more than coincidental that any place could be so closely associated with the cleansing of Original Sin, as well as its enthusiastic practice. But first things first.

THE GREAT DISAPPOINTMENT

The Holy Spirit visits from time to time and decides, now and then, to take up residence. We call the intensity of its 19th century presence the Second Great Awakening. By the early 1840s two generations of Americans had been “burned over” with revival and transformed the American religious landscape. Even today, whiffs of it cloud the current political rhetoric.

October 22nd, 1844, might have been the Awakening’s greatest moment, but disappointment rose with the sun on the 23rd: Jesus had failed to return. William Miller and his Millerite followers felt the disappointment more keenly than most, as they returned to family and friends; to growing old; to disease, death and whatever awaits us. Some of Miller’s disciples carried the message forward, unphased by his miscalculation. One of them brought its faintly glowing embers to Agincourt.

Eliphalet Davidson, one of William Miller’s lieutenants, was also the great-grandson of Eliphalet Adams, 18th century New England divine. Traveling westward with his wife Elizabeth, the Davidsons’ camp meetings leap-frogged across Ohio, Indiana and Illinois to Fennimore county, Iowa, in the spring of Agincourt’s founding year, 1853. Drawn, perhaps, by the Wester tragedy, and hoping—again, perhaps—to heal its still fresh wound, the Davidsons pitched their revival tent at Gnostic Grove.

Charles_finney

Camp Meeting began Sunday afternoon, May 15th with a handful of locals but swelled for the next seven days until a climactic service on Sunday the 22nd. Estimates vary—The Plantagenet hadn’t begun publishing then—but even conservative figures tell of hundreds drawn in waves from the surrounding countryside, from at least a fifty miles radius, as souls burned for Christ, exhortations slew the spirit, and Crispin Creek cleansed the slain, as lives were changed. So much Original Sin swept downstream that they ought to have filed an “Environmental Impact” statement, warning to other settlements in its course.

Amos Beddowes and his wife Sissy were there; his diary mentions it. And a good thing, too, for Sissy, the Sac and Fox medicine woman, was called upon to soothe a rash, set a broken bone, and even to midwife a premature birth, as the enthusiasm spread and intensified. Amos helped build the tent.

Elizabeth Davidson, the revivalist’s wife, was apparently a formidable ally and helpmete. It was Lizzy who planned the tent city that sprang upon the creek’s sunny north bank. And she who multiplied the loaves and fishes that fed the assembled throng, while the men dug privy pits and fed the stock. Davidson’s revivals were legends of efficiency and organization. Only the saved know their own names, though, salvation being one of life’s most intimate acts.

The deed safely done, God’s work accomplished, the Davidson’s moved on to Nebraska and Kansas, where Eliphalet died of typhoid and his widow returned to the East. But a pattern had been set: revivals, camp meetings, full-immersion baptism continued at Crispin Creek for another eighty years into the Pentacostal movement of the 1920s.

The legacy of those seven May days lives on.

Camp_meeting_at_flint_hill_by_goebel_rudolph_1835-1923

On a boulder near the Council Ring a palindrome in Latin bears this inscription: “In girum imus nocte et consumimur igni” —whose translation seems appropriate for what must have happened around those campfires in 1853: “We enter the circle of the night and are consumed by fire.”

Sixty Second Romance

Howard writes most of what appears in this blog about Agincourt. After all, he lives there; I don’t. But now and then he doesn’t mind a mouse in the corner.

A sixty second romance

Marge opened the Koffee Kup at eight that morning, a sleepy Saturday shift that should have ended two hours ago. But her replacement, Brenda, was late; waiting for a babysitter, trapped at her farm when the storm last night washed out some county roads. Maybe the sitter should take her shift! Until then, Marge is on overtime.

The lunch crowd was average—for a Saturday in October—a handful of regulars, a few new faces, a couple of travellers who had asked specifically for the rhubarb pie they’d heard about from friends. But by four, the “long, dark tea-time of the soul” had set in; Marge and her two customers were each lost in private thought.

Cup-of-joe
The most recent arrival had taken his glasses off at the door, fogged from the cold, and felt his way to the counter, perched on a stool and buried his head in the menu. It was only when Marge had taken his order and stepped back to the kitchen that he noticed someone sitting on the other side of the “U”: another guy, buried in a book, lazily stirring a cup of something warm. He wondered: Isn’t that what’s-his-name’s new book, the guy who was born in Spain but lived most of his adult life in Columbia or Argentina, where he got jailed for insurrection—one of the friggin’ ‘disappeared” or “invisibles” or I don’t know—but they must have starved him, ’cause there was a picture in Time and a feature on CBS ‘Sunday Morning’ when international pressure forced his release and he’d lost fifty pounds, for krisake, and then he died six months later, when a lot of his work got translated into English for the first time and now he sells more books than when he was alive, so it doesn’t surprise me to see a copy in here, of all places; and this guy’s really into it, isn’t he, kinda cute too, a little like my old college roommate, only older, of course, and a little taller, I think, but won’t be able to tell unless he goes to the rest room or leaves, which I hope he doesn’t do soon, until I’ve had a chance to say ‘hello’ at least and maybe introduce myself, ’cause he’s not from around here, maybe just passing through (dammit) unless he’s new in town, which would be fantastic, ’cause I could show him around and introduce him to some of my friends and get to know one another. But all he could find the strength to say was “Good book?” 

At the other side of the counter, the guy looked up, surprised that someone else had come into the restaurant—so engrossed in this new book—grinned and answered “Really good! Do you know Nuñez? He’s fantastic or at least his translator is,” and thought, Nice smile.

Half an hour later, Brenda arrived cold and breathless, but the restaurant was empty. The two guys had walked out together, wrapped in conversation about some Mexican author.

…and nightmares, too.

There are dreams. Dr King had one. And then there are the bad ones—nightmares. We’re living through one of these in the Mid-East is I write this.

Let me see if I’ve got this straight: Someone in Los Angeles produced a movie which mocks Muhammed, Prophet to the third “People of the Book.” A fourteen-minute trailer for the film found its way onto You Tube, where it has been seen by millions of Muhammed’s faithful followers around the world, but especially in the Middle East. And groups of those those highly offended Muslims have taken their anger to the streets and taken aim at some of the available symbols of the United States—which, of course, had nothing to do with the creation of said film, but which also can do little to suppress it. Places where democracy is nascent may be unfamiliar with the concept of freedom of speech; it’s been a long time since they’ve enjoyed it. It may surprise us that something we take for granted (though I’m beginning to question that short list in my own mind) may be foreign—literally—to those frustrated that the Arab Spring has moved so slowly.

In Agatha Christie’s Murder on the Orient Express, Belgian detective Hercule Poirot is faced with a crime committed in a sealed environment. In characteristic Christie style, Poirot assembles all aboard the train car trapped in a deep snowfall on its way from Istanbul toward Belgrade. It behooves him to solve the crime before arrival at Belgrade, however, whose police force will unreasonably complicate the lives of all aboard and delay their arrival in Paris. If you’ve not seen the 1974 movie adaptation, there is, as Poirot observes, “…the simple answer,” and adds after a pregnant pause, “There is also the more…complex one.”

The simple answer prevails. The simple answer satisfies. The simple answer will move everyone along toward their destinations more expeditiously. 

Now I’m not a conspiracy theorist—at least I don’t think so. So thinking about the anti-Islam film that has fired the current situation in the Middle East, I’d welcome a Hercule Poirot to delineate the possible answers. For example…

Recent news coveerage suggests that this much may be true: A “cattle call” went out for actors in a projected romantic film set somewhere in the Arab World. The script—pages of which have flickered briefly on your T.V. screen—is innocuous and the cast dutifully delivered them under the direction of someone whose identity seems cloudy. Some time later editors dubbed an Arabic language sound track presenting a completely different dialogue, the presentation of Muhammed found so offensive in Egypt, Libya, Yemen and elsewhere. The actors are shocked at what had been done to their craft and the director is nowhere to be found. Clearly there is more here than meets the eye and ear.

The Simple Answer

Those with an intent to goad the Muslim world into a rage can be found aplenty on the fringe of the religious Right—the likes of bufoons like Rev Terry Jones, who publicly burned copies of the Koran in a Florida parking lot a year or so ago, or more sophisiticated bigots like Pat Robertson. Jerry Falwell would be among them if he were alive. I wonder where the Westboro Baptist Church stands on this issue? The money trail is likely to lead in that direction. Perhaps hastily, that’s a bandwagon I’ve been inclined to join. But there are certainly other more complex—complicated and even devious—answers.

…and more complex ones

Suppose, for example, disgruntled participants in the Arab Spring—perhaps a minority group that lost power in the shell game of Democracy 101—decided to stir the pot. They might themselves be Muslim culturally, but less than Muslim religiously. Why shouldn’t the Muslim world be as diverse as the Christian one, I ask naively. 

Suppose the money trail leads well beyond U.S. borders, through Swiss Banks to who knows where. Is it simplistic to apply Ockam’s Razor and choose the easy but embarrassing domestic answer, one drawn from our own discomfort with the “other” in a polarized political environment? Or is it cynical to seek answers elsewhere; more complicated explanations that may cast us as unwitting boobs in a twisted international conspiracy?

Where is Hercule Poirot when we need him?

What dreams may come…

It was Dave Pence’s 60th birthday this weekend and several of his extended family and friends gathered at a resort on Gull Lake to celebrate. I knew some of the people in attendance, so my energy Saturday evening was divided between 1) delightful home movies made by Dave’s parents when he was very young and 2) trying to remember all those new names. The cocktail hour and dinner began at 5:30, so four hours later I was exhausted. It was a busy day. By 10:30 I was ready for a good night’s sleep. Fat chance.

Some time after 3 o’clock—when I got up to use the toilet—there was a vivid dream still fresh in my mind when the rising sun woke me. I thought it worth passing along.

The night was still, the clouds dark, and the full moon was the only source of illumination.

City streets were dark and silent. No one was about; the streets devoid of cars. It was as though someone had draped a power pall over the tops of houses and trees, draining energy from everything mechanical and sapping our animal strength.

Milton and I had been tasked to go door-to-door, checking on people’s welfare and inspecting power meters in doubly dark basements and utility rooms. We were the only ones out. Some doors remained unanswered, the residents either home and hiding or away at other homes, seeking safety in numbers greater than two or three.

I knocked at one house while Milton went to the next, both of them dark and silent. An elderly woman in a threadbare housecoat opened her door a careful crack and invited me in to inspect her meters. (I don’t know that we spoke.) Threading our way through darkened rooms, she opened a door that led up to her basement. Yes, up. Dreams exist in their own reality; we accept everything in them without question or hesitation. Up is down; in is out. I can fly. No problem. So up I went.

Plain wood steps took us past the exposed framework of wood walls; studs pierced with more than enough holes for old fashioned electrical wiring that drooped and followed the stairs like hand-holds—though I didn’t dare for fear of pulling them free of their moorings.

 

Upstairs

But though it was even darker in this windowless pasage than it had been outside, I saw may way from a soft glow that eminated from the house itself. The old woman, silent but reassuring, moved ahead of me, knowing the way by heart. And though she did not herself glow, it was as if the house knew her and warmed to her passing. Her very presence seemed to excite its molecules and their vibration lit our way.

I wondered if she were not a Douglas Adams character, my own encounter with the Ruler of the Universe. In the “Hitchhiker’s guide to the Galaxy” series, Adams’ characters make a brief side trip to an innocuous planet, there to meet our Creator and guide, an elderly man living in a shack with his cat, totally unaware of his role. Asked bluntly if he ruled the Universe, while they dripped on his doorstap a from torrential downpout outside, he replied:

“I try not to,” he said. “Are you wet?” Zaphod looked at him in astonishment. “Wet?” he cried. “Doesn’t it look as if we’re wet?”
“That’s how it looks to me,” said the man, “but how you feel about it might be an 
altogether different matter. If you find warmth makes you dry, you’d better come in.”

That conversation came to mind while the old woman guided me to her electrical panel—where I would do something but I knew not what. Could she be the Ruler of the Universe and I had happened on her home by pure chance? I almost thought to ask. But just as I might have, I saw my situation for what it had become: She was my litmus test. My acceptance of her simple being was the test of my humanity by the Universal Ruler, perhaps the very one imagined by Douglas Adams.

Just as we reached the top of the stairs and were about to enter the basement, morning light woke me and I sat down to write these recollections. The dream was so vivid that, given the chance to return to sleep, I’m sure it would have continued and satisfied my curiosity—especially what the hell had happened to Milton.

Scissors

Posts here at the Agincourt blog have trickled to a halt. There are reasons for that but I can’t discuss them right now. Truth be told, I can barely admit them myself. It turns out I’m a fragile, high-maintenance guy who’s easily discouraged. And that’s the good stuff!

“Paper”—the title of the June 23rd entry—tempts me to explore the childhood trinity of Paper-Scissors-Stone. Stone (or Rock, where I come from) breaks Scissors. Fair enough. And Scissors cuts Paper. Too true; it’s supposed to. But Paper also covers Stone, a distant echo perhaps of the meek inheriting the earth.

I wondered if “Scissors” and “Stone” might join “Paper” in a trilogy of pieces by my friend Howard Tabor. Let’s send him good wishes and hope for inspiration.

“A few figs from thistles…”

by Howard A. Tabor

Provenance

Folks at fine art auction houses like Sotheby’s are obsessed with the idea of provenance

Provenance in the world of art is equivalent to a chain of evidence in law or a chain of command in war. When that chain of evidence is interrupted—when a continuous thread linking a smoking gun from the scene of a crime to the courtroom prosecution of that crime months later is broken—the accused go free; their guilt or innocence cannot be proved beyond the obligatory shadow of doubt. Justice is unsatisfied. By contrast, provenance seems like a sleazy commercial ploy to increase the hammer price of an antique or a work of art.

If you purchase the contents of an abandoned storage locker [sounds like a cable TV reality show, doesn’t it] and discover an unknown painting looking suspiciously like the work of Vincent van Gogh, don’t quit your day job. To achieve that seven- or eight-figure auction price, you and your auctioneer will have to establish an unbroken link between that undocumented work and van Gogh himself or his immediate family or his dealer. Your multi-million dollar windfall stands or falls on the authenticity of its provenance.

Sure, anonymous objects pass through our hands each day—a five dollar bill that bought your lunch; a book borrowed from the public library; a pen found in a parking lot—and we give not a thought to their provenance or our place along its tenuous thread. So, I offer the following with caution—not because it may lack Truth (as I see it), but because I want even the most ordinary object to tell its extraordinary tale. I offer the provenance of a pair of sheers.

Scissors2

 

Scissors don’t just cut; they can also kill.

I sat in the back row of Courtroom A at the Fennimore County Courthouse last week. My press credentials got me a coveted seat in what may be our trial of the century: the trial for murder of local person by someone just passing through. You’ve read their names in the Plantagenet; you’ve heard their names over pie at the Koffee Kup, so I won’t repeat them here. But as I sat in that back row, I wondered about a piece of evidence—perhaps the key piece of evidence—waved at us by the State’s Attorney: a pair of scissors, the purported weapon in a crime of passion. The prosecutor could show a chain of evidence to the accused, but I wondered how much farther back the links in that chain might reach.

SCISSORS

The courtroom was full that day. Standing room only—except they didn’t allow standing. But of one hundred-plus people who won the spectator lottery on Friday, how many looked at those sheers and felt they’d seen them before? I did.

It was the summer of 1952, I think, and I was seven years old. My mother had hired Larth Munro to mow our lawn. He was thirteen. But in August, just before the end of summer recess, Larth’s appendix burst and he was hospitalized for several days. When he was allowed home, mother and I went to the Munro house to wish him well; I brought him some of my baseball cards.

Larth and his mother Elie lived on Lilac Lane in one of its Arts & Crafts four-plexes now a National Register historic district. Mom was interested to learn about Miss Munro’s experience as an apprentice archaeologist in Italy many year earlier. They poured over her photo albums while Larth and I talked about the World Series. I liked him.

<a work in progress>

Clara

Howard began the sesquicentennial series on a Wednesday morning walk in October 2006. He decided to challenge the familiarity of his environment; to see the ordinary and the everyday with fresh eyes.

Taking a circuitous route from home to work—from his apartment* near the Darrow School to the Plantagenet offices on Broad Street, which should have been four blocks and no more than ten minutes—he left home at 7 o’clock and arrived at his desk about 10:30. Sure there was a breakfast at the Koffee Kup and a half dozen brief conversations with friends along the way. All told, it was a productive morning.

He walked southwest toward the Krause Foundry and Syndicate Mills; past Luke, the Physician (our hospital), the old interurban depot (now the power company headquarters) and Adam’s Restaurant (resolving to return for rhubarb pie at 3:00); past his grandparents’ old home and the Episcopal and Catholic churches on the way to the cemeteries. Making mental notes along the way, Howard outlined the first few articles and arranged to have lunch with Hal Holt, family friend and head of the local historical society.

I’d love to have been sitting at the next table. Few people had a greater command of local history than Harold Holt, who died in 2008. So by press time on Frinday afternoon, Howard had a sense how the series would proceed, and his first column appeared the following Saturday morning.

In it, not incidentally, there was mention of a cat.

Mrs Schoenfeld’s Cat

Somewhere between the Christian Science church and the synagogue, Howard was startled by the sudden appearance of Clara, an American short-hair cat belonging to Agnes (Mrs Seymour) Schoenfeld, an acquaintance of Howard’s aunt Phyllis. What he didn’t notice, though—bending over to stroke the cat behind its ears and breaking his stride for a minute or so—was the near collision a block ahead between a UPS truck and the very nearsighted eccentric Forrest Fahnstock, whose license should have been suspended years ago. Without that unplanned interruption, Howard would have been in the thick of it and might easily have become a pedestrian casualty. Howard believes in God and the prospect of Divine Intervention (one of the many differences between us), while I’m far more inclined to credit the cat.

Other than the occasional watchdog at my dad’s gas station—like Ol’ 66 that I wrote about some months ago—I didn’t have pets as a child. We call them “animal companions” now, but my grandmother would have had nothing to do with them in her house. She did have canaries before I arrived on the scene and a parakeet or two while I was very young. Four-footed critters, on the other had, were forbidden; it never occurred to me to ask why.

In the last twenty-five years, however, I’ve made up for lost time: five dogs and two cats, all of them refugees from the pound. Not to mention my friends’ pets: Eddie and Kya and Alfie and Gunnar. One thing I’ve learned is that animals have senses we humans lack: more than intuition and a hair’s breadth shy of second sight. They see things we don’t. They smell things we can’t. They hear things in a range beyond human ability. They experience the world directly, a world in which they could be our intermediaries, if we would but let them.

Clarathecat

So what about Clara the Cat? Do you see her on the stair landing? I think she may have intervened in many more lives than Howard’s.

*Since then Howard and his partner Rowan Oakes have moved to the old Wasserman Hardware store on Broad Street and James (northwest corner). The rest of the second floor is a bed and breakfast, while the ground floor houses The Periodic Table, Agincourt’s newest eatery.

Twin Talk

There are documented cases of identical twins developing a private language, a rare phenomenon called idioglossia or cryptophasia. The Folsom twins—Bernadette and Henrietta—developed a coded language of their own, graphic, unspoken, but equally impenetrable.

Bernie and Etta, as we knew them, worked at their family business—the Hemphill-Folsom Mortuary—for more than fifty years, where they reduced the complex lives of clients to an abstract overlay of signs and symbols on 5-by-7 note cards. There’s an exhibit of their work at the Public Library this week, more art than biography and unreadable since the sisters died in the 1970s.

“A few figs from thistles…”

by Howard A. Tabor

Hidden History

Maya glyphs have been readable since the 1980s.

Though the Etruscan language succumbed to Latin and hasn’t been spoken in nineteen hundred years, it too can now be read.

Even the Mycenaeans’ “Linear B” has begun to yield the secrets of their crop reports and tax rolls. Perhaps the international cadre of scholars who deciphered these and other mysterious scripts should turn their considerable talents to the private language of Agincourt’s Folsom twins, Bernadette and Henrietta. But first a little backstory.

THE HEMPHILL-FOLSOM MORTUARY

Moses Hemphill’s name hasn’t been heard in these parts since the Spanish American War. Hemphill came to Agincourt shortly after 1870 in the dual role of casket-builder and mortician (a frequent pairing in the nineteenth century) and served as the community’s undertaker until 1898 when he became a client for his own services.

A few years earlier, Moses’ daughter Clara had married Jeremiah Folsom and the business hyphenated as the Hemphill-Folsom Mortuary (though the family no longer own a majority interest). It still operates at 20 N.E. Agincourt Avenue, a community institution used by many of my own extended family. Clara and Jeremiah Folsom lost their only son to typhus, but the twin girls Bernadette and Henrietta carried on until their deaths in the 1970s.

Bernie and Etta handled most public aspects of business—client relations, working with clergy, arranging the service, writing the obituary—and apparently had little interest in the darker side of embalming, the slabbing and stabbing stuff in the back room. Who can blame them. Instead, they were inerrantly empathic, especially as chroniclers of their clients’ lives. And that’s what is on display at the Agincourt Public Library this week.

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Charles Demuth and Jasper Johns explored the discipline of ordering systems like A-through-Z and 0-through-9 as Art. But Etta and Bernie anticipated their abstractions by at least a decade—though the purity of Art was hardly their intention. As the gentle public face of their not indelicate business, the sisters gathered biographical information on our local citizens, often long before a visit from the Grim Reaper. Like any good newspaper, they anticipated their clients before they became clients.

On stiff sheets of card stock, five-by-seven inches, they used rubber stamps and colored inks now faded with age, dulled and smudged and worn with constant fingering, to summarize our lives. Layered like vermeil in a grid of shifting squares, B & E recorded work and play, service and family, in a graphic language all their own. Without a word, we believe (since the good sisters left no intructions to decipher their code) they concentrated a single life in thirty-five square inches. On the reverse, of course, they did record names and dates and places: birth and marriage and the orderly arrival of children—the stuff of databases. But it is the beauty of their code that draws us in, not its information.

Even when we know the identity of someone represented in those subtly tranparent numbers and letters, the cards defy all but the most rudimentary decoding. Place it next to the published obituary notice and we understand a fraction of what they recorded but only they could read. It’s apropos that the Folsom sisters were born into the Arts & Crafts era, for their cards echo the intentions of Elbert Hubbard and Gustav Stickley: to create an Art that is Life.

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Samples from the Hemphill-Folson Archives are on display this month at the Fennimore County Library.

Thanks!

I’ve been thinking a lot lately about the little courtesies of life—all those niceties that used to lubricate human interactions, like holding a door open for someone with their arms full or who is disabled or older than you; like expressing gratitude for a favor or a gift; or reciprocating, when possible and appropriate, the kindnesses extended to us by others. Not because they’re required but because they aren’t

Excusing a burp. “Blessing” a sneeze. All these little courtesies are fewer and farther between than they once were; gone the way of penmanship and the subjunctive, I suppose, into the burgeoning museum of the curious and the quaint. I expect there’s a room there reserved for me. So you can credit (or blame; you decide) Clara Frances Markiewicz Ramsey, my grandmother, for whatever social skills of the antedelivian sort still cling to me. 

Following my parents’ divorce in 1953, I essentially became the ward of my grandmother—a woman born in 1891, the third oldest of thirteen children in a working-class immigrant family from the very small town of Lemont, Illinois, where you were either Polish and Catholic or Swedish and Lutheran. I imagine the cultural cleft in that community extended to what car you drove: either a Ford or a Chevy. Shades of Lake Wobegon.

[There is, by the way, another fictional community near Lake Wobegon that I may write about some day. Imagine the citizenry of Lake Ilbegotten and all their eccentricities. I can.]

Clara tutored me in ways that were already antique when I learned them: saying “please” and “thank you” and being defferential to my elders. Well, now I am one of those elders and feel pretty odd when I hold that door open for “older” people.

Even Agincourt isn’t immune from the 21st century’s erosion of social skills. Though “erosion” may be  too strong a word; perhaps they are simply morphing into twitterable bits and bites below my radar. I am after all a computer nitwit; a novice in the ways of the interweb, barely distinguishable from Dubyah. My friend Howard is more adept on that score than I, but he seems as distraught at the passing of civilized life as we knew it.

How this is manifest in Agincourt, I haven’t yet heard…but it has something to do with this picture.

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